Find Collaborators
Annie Onyi Cheung
Pop Up Artist 2017
Chantal Molleur
Curator
Chantal Molleur is the Founder / Curator of WHITEFRAME. She is a cultural producer, curator and promoter. Prior to moving to Switzerland in 2005, Molleur worked in the Canadian media arts for 20 years.
Elizabeth Flyntz
Curator
Elizabeth Flyntz is a curator, information architect, and experience designer (who sometimes makes art) based in Brooklyn, NY. Her special areas of interest are early video art, experimental documentary, systems-based art, and usability.
Emilie Reed
Curator
Emily Reed is an emerging curator, art historian and writer from the United States but currently based in Scotland. Her primary interest is investigating how art institutions are displaying and contextualizing videogame-based works.
Eric Stotts
Architect
Eric Stotts is a Creative Architect interested in collaborating with artists on the design and construction of arts spaces, studios, performance spaces and media artworks. Special interest in music performance, low power FM broadcasting, visual art, large-scale projections, art in the Suburban sphere, and tactical urbanism.
Gema Grueso
Conservator
Gema Grueso is a new media conservator, trained in conservation and restoration of works of art and with an MA in conservation of contemporary art.
Helen Yung
Artist
An interdisciplinary artist, and scenographer by training, Yung collaborates on contemporary performance (devised, deconstructed, improvisational), creates installations/environments (analog and digital, often interactive), and conducts experiments in social practice that are conceptual, research-based and engaged in a funny way.
Jenny Goldstick
Artist
Jenny Goldstick is a Brooklyn-based artist, designer, and educator. She is the creator of the acclaimed interactive graphic memoir, This is My Memory of First Heartbreak, Which I Can’t Quite Piece Back Together.
Julie Hollenbach
Artist
Julie Hollenbach is an artist, writer, curator, and educator based out of Halifax, Nova Scotia (Canada). Her cultural work employs a queer feminist methodology. Hollembach's research and artistic production explores domesticity and feminine creative cultures, as well as the impact of neoliberalism on popular rhetorics of wellness.
Kirstie McCallum
Study Group Member
As a poet and sculptor, Kristie McCallum uses critical theory and art to position human culture within the complexity of the natural world.
Laura Simpson
Artist
Laura Simpson is interested in artist development, residency programs, writing, commissioning and exhibition making in visual art and performance. She also has a particular interest in artists’ moving image.
Linda Campbell
Researcher
Linda Campbell is a professor who holds a Senior Research Fellow at Saint Mary's University in Halifax. Linda is particularly interested in aquatic ecosystems and water resources.
María Luján Oulton
Artist
María Luján Oulton is a cultural producer specialized in video games, based in Buenos Aires, Argentina. She is the co-founder of Objeto A, an Art Gallery that evolved into a new media arts agency focused on fostering collaborations between artists, engineers and scientists.
Max Hernández-Calvo
Curator
Melanie Wilmink
Art Historian
Melanie Wilmink is a PhD candidate in Art History and Visual Culture at York University (On, Canada), with honours such as the 2014 York University Elia Scholars Award, and a 2015 SSHRC Doctoral Fellowship.
Norman Adams
Artist
Oron Catts
Artist
Oron Catts is the co-founder and Director of SymbioticA, The Centre of Excellence in Biological Arts, School of Human Sciences, The University of Western Australia. He is an artist, researcher and curator.
Simon Biggs
Artist
Simon Biggs is a media artist, writer and curator working in digital poetics, interactive environments and interdisciplinary research.
Vanessa Bartlett
Research & Curator
Vanessa Bartlett is a researcher and curator working between Australia and the UK. She is in the process of completing a PhD at UNSW Art & Design, where her research investigates connections between digital technologies and psychological distress through reflective curatorial practice.