Ruth Marsh's practice employs an absurdist approach which seeks to queer the intersections between DIY culture and science fact/fiction/fabulation/feminism to address absence, memory and healing in bodies and environments.
Search Results for: painting
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.
Jordan Bennett
Bennett's ongoing practice utilizes painting, sculpture, video, installation and sound to explore land, language, the act of visiting, familial histories and challenging colonial perceptions of indigenous histories, stereotypes and presence with a focus on exploring Mi’kmaq and Beothuk visual culture of Ktaqamkuk.