IOTA Study Group:
visual art
Eric Stotts
Architect
Eric Stotts is a Creative Architect interested in collaborating with artists on the design and construction of arts spaces, studios, performance spaces and media artworks. Special interest in music performance, low power FM broadcasting, visual art, large-scale projections, art in the Suburban sphere, and tactical urbanism.
Laura Simpson
Artist
Laura Simpson is interested in artist development, residency programs, writing, commissioning and exhibition making in visual art and performance. She also has a particular interest in artists’ moving image.
Chantal Molleur
Curator
Chantal Molleur is the Founder / Curator of WHITEFRAME. She is a cultural producer, curator and promoter. Prior to moving to Switzerland in 2005, Molleur worked in the Canadian media arts for 20 years.
Helen Yung
Artist
An interdisciplinary artist, and scenographer by training, Yung collaborates on contemporary performance (devised, deconstructed, improvisational), creates installations/environments (analog and digital, often interactive), and conducts experiments in social practice that are conceptual, research-based and engaged in a funny way.
Jenny Goldstick
Artist
Jenny Goldstick is a Brooklyn-based artist, designer, and educator. She is the creator of the acclaimed interactive graphic memoir, This is My Memory of First Heartbreak, Which I Can’t Quite Piece Back Together.
Emilie Reed
Curator
Emily Reed is an emerging curator, art historian and writer from the United States but currently based in Scotland. Her primary interest is investigating how art institutions are displaying and contextualizing videogame-based works.
Gema Grueso
Conservator
Gema Grueso is a new media conservator, trained in conservation and restoration of works of art and with an MA in conservation of contemporary art.
Vanessa Bartlett
Research & Curator
Vanessa Bartlett is a researcher and curator working between Australia and the UK. She is in the process of completing a PhD at UNSW Art & Design, where her research investigates connections between digital technologies and psychological distress through reflective curatorial practice.