Image is of the transit terminal shelter with artwork from 2025 Interchange artist Zeta Paul, titled “Msɨt No’kmaq (All My Relations): Everything is Smiling”. There is a colourful illustration with an Indigenous man riding a pale pink unicorn in the foreground, wearing a war bonnet, full regalia, and a bow and arrows on his back. He is riding towards the viewer over a hill of green grass covered with mushrooms, teddy bears, lupins, and pink crystals. The unicorn wears a bejewelled harness and around its neck is a medallion with a Mi’kmaw double curve pattern. Over their heads are telephone wires draped across the landscape. The background extends far into the distance where there is a moose at the shoreline of a body of water surrounded by mountains embedded with the faces of Mi’kmaw women wearing peaked caps. On the horizon is a massive full moon rising, and a sun rising above it. Beyond the moon and sun is a high rise apartment building with clotheslines on the fire escapes, there are shooting stars in the sky and in the top left there is three floating red pixellated video game hearts.

2026 Call to Artists: InterCHANGE

Apply to the 2026 Call to Artists for the next cycle of InterCHANGE, a program of temporary public artworks in Halifax's Cogswell District. Deadline: March 11 2026

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we tend to care

The next stop for Carrie Allison's touring solo exhibition is in Winnipeg, MB, opening February 6 2026.

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Meagan Musseau, when they poison the bogs we will still braid sweetgrass No.4, performance 2017, print series 2020
Carrie Allison, That which grows wild and profusely - fringed orchid, 2020
Jordan Bennett, Te'sitpa'q, 2021
Ruth Marsh, Hive World 2, 2020, Fuji Pearl Metallic photographic print
Amanda Dawn Christie, Marshland Radio Project, photograph, 2009
Lou Sheppard, Murmurations (I), 2020, Edition of 100, Fuji Crystal Archive Super PD Lustre digital print, 18" x 24"
Meagan Musseau, becomes body of water, diptych set 2 (left) 2020
Séamus Gallagher, Picture me Better, 2020
Amy Malbeuf, Whooping Crane Caribou hair sculpturing and polyurethane tarp on velvet, 2018

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Image is of the transit terminal shelter with artwork from 2025 Interchange artist Zeta Paul, titled “Msɨt No’kmaq (All My Relations): Everything is Smiling”. There is a colourful illustration with an Indigenous man riding a pale pink unicorn in the foreground, wearing a war bonnet, full regalia, and a bow and arrows on his back. He is riding towards the viewer over a hill of green grass covered with mushrooms, teddy bears, lupins, and pink crystals. The unicorn wears a bejewelled harness and around its neck is a medallion with a Mi’kmaw double curve pattern. Over their heads are telephone wires draped across the landscape. The background extends far into the distance where there is a moose at the shoreline of a body of water surrounded by mountains embedded with the faces of Mi’kmaw women wearing peaked caps. On the horizon is a massive full moon rising, and a sun rising above it. Beyond the moon and sun is a high rise apartment building with clotheslines on the fire escapes, there are shooting stars in the sky and in the top left there is three floating red pixellated video game hearts.

Call to Artists: InterCHANGE 2026

Wed March 11th, 2026 @ 11:58pm - 11:59pm
Halifax Regional Municipality, 1930 Barrington St., Halifax
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