BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such

BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such

BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such

BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such

BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such

BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such

BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such

BIOTA2018 Prospective Futures: The Aurelia Project

Prospective Futures: The Aurelia Project (co-curated by ethnology curator Roger Lewis) centers around healing and recovery of highly contaminated legacy gold mine tailing sites across Nova Scotia.

The 2019 Earthline Tattoo School Guest Mentors!

To guide them on their journey in (re)learning the cultural practice of Indigenous tattooing the 2019 Earthline Tattoo School participants will be working with inspiring guest mentors, Jerry Evans, Julie Paama-Pengally, Nakkita Trimble and Nahaan.

Bacterial BioPigments Master Class with WhiteFeather Hunter

A very rad Master Class with Bio Artist WhiteFeather Hunter is now live for registration on the NSCAD University website. IOTA, the School of Extended Studies and the Anna Leonowens, are co-hosting a Bacterial BioPigments Master Class which will include the coveted textile dyeing technique of shibori.

IOTA Gallery Pop-up (Part Deux)

IOTA: Gallery Pop Up (Deux) is a pop up gallery that featured twelve Nova Scotia and New Brunswick contemporary artists.

Mireille Bourgeois presentation at FEMeeting

Mireille Bourgeois (Artistic Director/Founder, IOTA Institute) will present "Bio Art Near Futures," in Portugal at FEMeeting an international consortium of women in art, science and technology (11-17 Sept 2022).

Mireille Bourgeois

Over the last 14 years, Bourgeois has independently curated and contributed to artistic programs internationally and throughout Canada, as well as published curatorial writing. Her research explores themes on synesthesia, nonsense, the sublime and stupidity, with research currently underway in the field of Bio Art.

Bodies in Movement

IOTA Institute is embarking on a new creative research stream into the interventionist quality of bodies in movement through familiar expressions of dance and performance art. “Interventionist” refers to the performance methods artists use inside and outside the institution of dance, to disrupt and expose existing expectations around embodied movement. We consider small acts such